The Art of Discovery: Justine Wheeler Koons Emerges From the Shadows

In the vibrant landscape of New York’s art scene, a powerful new voice has emerged – one that has been quietly developing in the wings of one of contemporary art’s most recognizable names. Justine Wheeler Koons, wife of the renowned Jeff Koons, has unveiled her debut solo exhibition “Myth” at the prestigious Salon 94 gallery, marking a significant moment not just for the artist herself, but for the cultural tapestry of New York City.

At Columbus International, where we connect discerning clients with extraordinary spaces across New York, Miami, Milan, and Florence, we understand that true luxury is found in authenticity and self-expression. Wheeler Koons’ exhibition presents twelve meticulously crafted glazed stoneware sculptures that reveal a deeply personal artistic journey.

In an essay by William J. Simons, Wheeler Koons spoke of the works in the exhibition as “a personal archaeology, a journey to uncover what lies within, hidden beneath the mass of accumulated experiences.” This sentiment resonates with our approach to real estate – every property tells a story, every space holds possibilities waiting to be uncovered.

The exhibition features what Salon 94 founder Jeanne Greenberg Rohatyn describes as “a blue torso of Venus—irresistibly covered in carved replicas of toys, shaped cookies, and beads.” This striking piece exemplifies Wheeler Koons’ unique aesthetic vision.

For those who navigate New York’s elite cultural circles, Wheeler Koons has long been a fascinating presence. While her husband’s sculptures have dominated museum spaces and broken auction records, Justine has cultivated her own creative path. Since 2015, she has run the jewelry line Gus & Al with Alison Brokaw, and her colorful artworks have been featured in Harper’s Bazaar and The New York Times.

What makes this exhibition particularly compelling is the artist’s journey. In a 2015 interview with Harper’s Bazaar, Wheeler Koons revealed how she returned to painting after suffering postpartum depression following the birth of her youngest son. “For the first time ever, I just knew I had to save myself somehow, and the only way I could think of was going back to the studio and painting so there was something of me left in the picture. Painting is quite a healing process,” she shared.

Wheeler Koons described to Harper’s Bazaar how, after taking “a ton of photos” while traveling with her family, she would composite them into a collage. “It has a narrative and a story for me—a lot about looking and being looked at and ways of masking yourself.”

When asked if her works would ever be on display in a gallery, Wheeler Koons candidly replied, “I don’t think I can. Jeff has a very big shadow. He casts a really big shadow. That’s why I wanted to do the jewelry. It’s creative but completely different from Jeff’s work.”

Now, years later, Wheeler Koons has stepped confidently into the spotlight with sculptures that speak to her unique perspective as an artist, mother, and curator.

For our clients at Columbus International, Wheeler Koons’ artistic emergence parallels the journey many take in finding their ideal home – moving beyond expectations to discover authentic self-expression. Her work reminds us that the most meaningful spaces, like the most meaningful art, reflect not just aesthetic preferences but personal histories and aspirations.

“Myth” opened on February 19th, presenting twelve glazed stoneware sculptures all produced in 2024 or earlier this year. For collectors, design enthusiasts, and those who appreciate the intersection of art and life, the exhibition offers a rare opportunity to experience the debut of an artist who has been developing her vision while balancing family life and her own creative pursuits.

Source and Images: Salon 94

Columbus International is a luxury real estate boutique with offices in New York, Miami, Milan, and Florence, specializing in exceptional properties for discerning clients who value authenticity, culture, and uncompromising quality.


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